Chapter two mainly analyzes the performance of supernaturalism in Samuel Taylor Coleridge's poetry.
Baur's Tubingen school of Protestantism eventually turned out to be an extreme form of anti-supernaturalism.
Chapter Two represents the importance of the Gothic supernaturalism in Poe's fiction and it is close to death.
The major ideological feature of the Renaissance was humanism which holds that man is capable of self-fulfillment, ethical conduct, etc. without recourse to supernaturalism.
To many Bible believing Christians, Dispensationalism made a great deal more sense of the world than did the anti-supernaturalism conclusions of liberalism.
